Nodes in Blender’s node editor always have their inputs on the left, and their outputs on the right. You would then render the result and, finally, use the VSE ( Video Sequence Editor - Blender’s non-linear video editor) to put the whole movie together.ĭespite Blender being a powerhouse of video editing goodness you only need one little component to complete the challenge, and that’s the… The Compositor Or, if you need to attach trackers, you can go the other way around. You can, for example, create a scene in the 3D tool, process it through the Compositor, and then pass it on to the Clip Editor. Blender has turned into a sort of a Creative Suite in its own right, with common interface for most features, each tool allowing you to pipe its output to the next in your pipeline… most of the time. It was only fair, since the clips I was using were actual Blender Foundation movies - plus I had read that Blender included some dope video-editing tools. By combining different nodes, changing their order and parameters, and using their outputs to affect other nodes, the possibilities are nearly endless.įor the final chapter I made myself learn enough Blender to at least solve the challenge. It is more of a “movie clip editor” and uses nodes to pile effects and modifiers on to the clips. Next I rashly strode into a whole new and unfamiliar territory with Natron. Although it worked, since I published my solution, many readers have pointed out ways to complete the challenge better. In the first article of this series, I used Kdenlive. Refer to each films site for detailed attributions. Although you can download Big Buck Bunny, Sintel, and Tears of Steel from the Blender Foundation’s sites, we have cut out 20 seconds clips from each especially chosen to fit the tasks below.īig Buck Bunny, Sintel, and Tears of Steel, all their assets (music, artwork, models, and so on), and derivative works used in this tutorial are distributed under the Creative Commons Attribution 3.0 license. If you want to follow along, you can grab the clips, background image and masks from the OCSMag Google Drive.
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